It’s not as fragile as glass,
But as a brick.
When you walk on China Lane, you can see another side of the ‘tradition’ through all the buildings, and to the ‘future’. This is the ‘infinite’ tradition, and about the ‘infinite’ of future.
The material of glass is “fascinating”. Glass can not only help the intake of light, but also a medium that leads to a more open and transparent space environment. The use of glass bricks as filters allows light to spread freely in space, triggering the fusion of new and old surfaces with light, forming a sense of overlap in time and space in the passage of ancient and modern times.
Dialogue between ancient and modern skills
The techniques and materials with folk characteristics in traditional resources, and the aesthetic spirit contained in them, have brought new inspiration to the creation of contemporary space art. Through the integration of new elements, new concepts, and new forms of installations, traditional spaces have achieved a creative replacement in form, and conducted new visual communication experiments in concepts and languages.
The use of glass brick materials is full of poetic aesthetic style and contains philosophical thinking. The creation of “perception” space allows people to put themselves in it and think about the deep connection between space philosophy and inaction philosophy. Through the special material language characteristics of glass, it expresses the contemplation of heaven and earth, expresses the meaning of nature, and pays attention to the human environment. The heterogeneous modules created by transparent materials in the traditional architectural space give it a certain sense of hierarchy and separation, and can ensure integration with the surrounding plants and buildings, and conform to the action through inaction of the space.
The process of defamiliarization displaces the real space
Heterogeneous symbols extract real life elements and various public elements as special symbols in the space, and treat these daily elements as unfamiliar, or change their original shape and material, or separate them from the original cultural context, dislocation of its existence space. Glass tiles are the interpretation of time and temperature. It seems to penetrate the intersection of ancient and modern, bringing the temperature of the times to the cold hard steel and stone.