城市与乡村的连接，

The connection between the city and the country,

“一物多用”环保理念的实践。

Practice of “One Thing, Multiple Uses” environmental protection concept.

 

 

 

▼

 

 

 

在当今高速发展的商业开发世界里，产生了各式各样的临时展厅，然而在展会结束后这些展厅就成为了建筑垃圾, 且很难得到妥善清理，材料无法回收与利用，造成大量不必要的浪费、污染及排放问题。

 

In nowaday’s fast-developing world of commercial development, various temporary exhibition halls have been produced. However, these exhibition halls became construction waste after the exhibition, and it was difficult to clean up properly. The materials could not be recycled and reused, causing a lot of unnecessary waste, pollution and emission problems.

 

 

 

| 项目概况 |

Project Overview

▼

▲ 项目区位图

Project Location Map

 

 

 

 

 

在2019年上海国际家具展中，诺亿设计研发（Rooi Design and Research）专门为家具展商打造了室外独立展厅。建筑师舍弃了酷炫的造型去夺人眼球，反而更真诚率性的使用材料，大胆裸露出木材的粗糙肌理，以表达材料的真实性，和空间纯粹的功能性。并且在项目结束后实现了对于废弃展厅可持续发展的再利用解决方案。

 

In the 2019 Shanghai International Furniture Fair, Rooi Design and Research created an outdoor independent exhibition hall specifically for furniture exhibitors. The architect abandoned the cool shape to attract people’s attention. Instead, they used materials more sincerely and boldly exposed the rough texture of the wood to express the authenticity of the materials and the pure functionality of the space. And after the end of the project, a sustainable reuse solution for the abandoned exhibition hall was realized.

 

 

 

 

 

 

建筑主体结构采用木板-钢结构混合系统，屋顶则采用了双曲面设计（正反拱梁钢结构）。这使得整个建筑空间开阔整洁，没有一根柱子。建筑师相信将复杂性留给设计与建筑的过程，给大众带来的是清新、舒适的视觉效果，给城市带来的则是零负荷。本项目在展览期间给空旷的外部场地带来了一个充满活力的中心点，它不仅是一个家具展厅，同时为参观者提供了一个纳凉、休闲和观赏的地方。

 

The main structure of the building adopts a wood-steel structure hybrid system, and the roof adopts a hyperboloid design (positive and negative arch beam steel structure). The whole building space is open and clean, without a column. The architect believes that leaving the complexity to the process of design and construction will bring a fresh and comfortable visual effect to the public, while bringing zero load to the city. During the exhibition, this project brings a vibrant center point to the empty external venue. It is not only a furniture exhibition hall, but also a place for visitors to enjoy the cool, relax and watch.

 

 

 

| 家具与展厅的结合转换 |

Combination of Furniture and Exhibition Hall

▼

展厅中家具与木材胶合板相呼应

The furniture in the exhibition hall echoes the plywood

 

 

 

 

 

 

建筑的立面使用了两种不同形式的正方体，四个立面均成为了展示家具的窗口，参观者可以在不同方向、周边不同楼层等各个角度上均能清晰观赏家具展示。此外，通透的立面既能捕捉到充足阳光，同时1.22米进深的窗口阻止了阳光直射，给参观者带来舒适的视觉效果。

 

The facade of the building uses two different forms of cubes, and the four facades have become windows for displaying furniture. Visitors can clearly watch the furniture display from different directions, different floors and other angles. In addition, the transparent façade can capture enough sunlight, while the 1.22m deep window prevents direct sunlight, bringing a comfortable visual effect to the visitors.

 

 

 

| 建造的重生与记录 |

Rebirth and Record of the Construction

▼

▲ 威尼斯双年展特别展出

Special exhibition at the Venice Biennale

 

 

 

2020年的夏天，建筑师回收了整个展览建筑体，并以最经济的方式为附近乡村社区打造了410套桌椅。考虑到乡村社区通常有着紧密的人际关系，建筑师基于板材尺寸以及使用者需求设计出了这些六边形的家具。每块1.22m x 1.22m的回收胶合板可以刚好的被加工成一张六边形的桌子或3张凳子而且安装简易，最后由村委会发放给了有需要的人以及社区服务中心。在使用中人们很自然的将桌椅以不同形式组合在一起，很好的增加了互动性和趣味性，并且帮助丰富了社区活动。

 

In the summer of 2020, the architect recovered the entire exhibition building and created 410 sets of tables and chairs for the nearby rural communities in the most economical way. Considering that rural communities usually have close interpersonal relationships, the architect designed these hexagonal furniture based on the size of the panels and the needs of users. Each piece of 1.22m x 1.22m recycled plywood can be processed into a hexagonal table or 3 stools and is easy to install. Finally, the village committee distributes them to the needy and community service centers. In use, people naturally combine tables and chairs in different forms, which greatly increases the interaction and interest, and helps enrich community activities.

 

 

 

▲ 欧洲文化中心文献收录

Included in the literature of the European Cultural Center

 

 

 

受可持续发展理念的影响，可变性成为构建过程中的开始考虑的因素，在构建之前和之后均适用。 建筑的设计、建造和使用都是涉及人类持续参与时间的活动，在此期间人类存在的条件在其物质以及精神环境中发生变化。设计不是一蹴而就的，它是一个过程，不是量的叠加，而是创造性的、可变性的生产实践。

 

Affected by the concept of sustainable development, variability becomes a factor to be considered at the beginning of the construction process, and it is applicable before and after construction. The design, construction and use of buildings are all activities that involve humans’ continuous participation in time, during which the conditions of human existence change in their material and spiritual environment. Design is not accomplished overnight. It is a process, not a superposition of quantities, but a creative and variable production practice.

 

建造的过程就是人类经验的不断实践与发展。这种发展是未完的，是可重复再生的。而这种时间维度的变化，需要通过媒介来记录和阐述，影像无疑是最好的选择。

 

The process of construction is the continuous practice and development of human experience. This development is unfinished and can be reproduced. However, this change in the time dimension needs to be recorded and explained through the media, and images are undoubtedly the best choice.

 

 

 

▲ A+AWARDS 2021获奖

A+AWARDS 2021 Winner

 

 

 

建筑影像作为一种媒介和工具，延续着建筑的生命，也提升了建筑在更广层面的多元价值。好的建筑的表达不仅仅是设计的方案，也在于建造后的持续性和可回收性。建筑师考虑到的材料的再利用通过摄影媒介的记录才能够直观的展现在大众眼前，使整个设计更加完整和富有可持续发展的意义。建造的过程是设计与现实碰撞的火花，是思想与技艺结合的档案，也是摄影师发掘再创作后带给大众的影像故事。

 

As a medium and tool, architectural images continues the life of architecture and also enhances the multiple values of architecture at a broader level. The expression of a good building is not only the design plan, but also the continuity and recyclability after construction. The reuse of the materials considered by the architect can be visually displayed in front of the public through the recording of the photographic medium, making the whole design more complete and meaningful for sustainable development. The process of construction is the spark of collision between design and reality, an archive of ideas and skills, and an image story brought to the public by photographers after discovering and recreating.

 

 

 

▼