The selection logic of the “remodeled” commodity consists of two conditions.
In the process of “rebuilding”, the product expresses the core of the product by retaining the “symbolic” part, and arouses the public’s reading understanding of the trendy lifestyle in a relaxed and humorous way.
It has long been believed that “design” should take on a new look. Therefore, under the accumulation of a long time, a surplus of “products” gradually began to appear in our lives. They range from construction to small to daily necessities. Therefore, in recent years, many old renovation projects have been paid attention to, which is a response to the excess of products and an awakening to the future.
There is no macroscopic order in space, only weak connections between parts. Integrate the correlation between parts through some kind of array, so that the space is close to the state of richness and inclusiveness.
Through the superposition of different scales in the space, the designer makes the geometric system of the original site no longer rigid, promotes the public and the space to form a natural experience penetration, and provides the public with a new evolution direction of commercial space through the corresponding display.
As the center of the entire site, the ramp softens the zoning boundaries of space functions. Make this “turn” a “media” that is naturally coherent inside and outside, up and down. Rigorous and elegant arc lines guide the actual functional order and emotional roaming state, allowing visitors to turn around with the subtle ups and downs of the space with the different presentations and emotions.
The diversity and flexibility of the display is an objective existence. Sequences are established between the transformed components to build a simple and rich display module. Functionality reflects the iteration from standardization to fun, thereby establishing a new aesthetic effect and achieving the same display efficiency.